Black Doldrums at Camden Assembly
It’s been a full year since Black Doldrums last took over Camden with their otherworldly sound – and the memory still lingers like smoke in the air. The trio: Kevin Gibbard (vocals/guitar), Sophie Landers (drums), and Matthew Holt (bass) – didn’t just play a show that night. They unleashed a sonic ritual, blending goth post-punk, shoegaze, and raw energy into an unforgettable experience that left the crowd mesmerised. And the best part is – we have got some exciting news coming up soon, so keep your eyes peeled!
From the very first note, it was clear this wasn’t going to be just another gig. Landers’ tribal, relentless drumming didn’t just set the tempo – it commanded the room. Each beat felt primal, like a heartbeat vibrating through the floor, completely hypnotic. Holt’s melodic, brooding basslines filled the air with a dark, pulse, while Gibbard’s reverb-drenched guitar spiraled above it all, crafting euphoric, atmospheric textures that felt both razor-sharp and dreamlike.
Together, they build something rare: a sound that’s simultaneously feral and graceful – “a fierce combination of post-punk, reverb, drone and melody” (Uncut). It’s the kind of performance that pulls you under and refuses to let go. This was one of our favourite CMDN gigs of the year, for sure – absolutely epic!
The setlist pulled heavily from their 2022 debut album Dead Awake, a release that first earned them critical acclaim from the likes of Rolling Stone, Uncut, and Sonic Seducer. But it was their newer material from 2024’s In Limerence – an album Louder Than War praised for its “lush yet glacial soundscapes, ramping up with bursts of energy before dispersing and cascading into an ethereal depth” – that hit with the most visceral power. The new tracks sounded even bigger and bolder live, as though they were always meant to be experienced in a dark, sweaty room with the amps cranked up to eleven.
It wasn’t long before the crowd was completely locked in, swaying between moments of quiet introspection and thunderous, heady release. A fan shouted, “I say Black Doldrums are bloody brilliant!” And honestly, no one could argue with that.
Black Doldrums have built a reputation on intensity. Their sound is a contemporary take on gothic post-punk – visceral, atmospheric, and utterly immersive. Gibbard’s introspective, often brooding lyrics are wrapped in euphoric, almost hallucinogenic guitar textures, framed by Landers’ overwhelmingly vicious, hook-laden drum work. The result? A modern-day reimagining of shoegaze and dark post-punk that nods to the past while blazing its own path. As Shindig! puts it – “youthful and ambitious contemporary rock ‘n’ roll.”
If you’re a fan of Bauhaus, Joy Division and generally 80s Goth Post-Punk this is the band you need to see live. Black Doldrums tap into that same haunting, primal energy – the kind that makes the room feel like it’s shifting dimensions around you.
Even those who walked in without knowing the band left transformed. You could see it in their faces – a mix of awe and adrenaline. This wasn’t just a gig. It was a sonic experience that hit the body and soul in equal measure. Black Doldrums didn’t just play – they performed, in the truest sense of the word, blurring the line between band and atmosphere.
The best part? They’ll be back with us very soon – and trust us, if you missed this one, you really won’t want to make that mistake again. Date announcement coming soon. KEEP YOUR EYES PEELED!
“A mix of Gothic-rock and shoegaze sounds to die for” — Rolling Stone “A fierce combination of post-punk, reverb, drone and melody” — Uncut “Youthful and ambitious contemporary rock ‘n’ roll” — Shindig! “Awe-inspiring… Black Doldrums create transient and euphoric dark post-punk.” — Louder Than War
All Images by Max Nicoll at Camden Assembly, March 2024